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Upp. YRS​/​/​Goons [Mix]

by Fermata

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Favorite track: SIDE A.
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1.
SIDE A 16:06 video
Kaleidoscope Chimes / Crispy Dimple Clunks (0’00-3’51) - Casio SK-1, Yamaha VSS200 Wonky Kid Artifact (3’51-8’37) - Yamaha PSS50 Harmonica Organ (8’37-9’54) - Casio SK-1 Gregorian Hoo-Ha (9’54-16’06) - Yamaha VSS200, Yamaha PSS50
2.
SIDE B 13:53
SIDE B Chime Bowl Satan (16’06-20’36) - Yamaha VSS200 Dark Beaty Bass (20’36-28’22) - Yamaha PSS50 Sk-1 Lament (28’22-30’00) - Casio SK-1

about

RECORDED AND ARRANGED 2017-2018
improvised ambient-noise and beat music on obsolete toy keyboards
processed, mixed, and layered

SIDE A

Kaleidoscope Chimes / Crispy Dimple Clunks (0’00-3’51)
Wonky Kid Artifact (3’51-8’37)
Harmonica Organ (8’37-9’54)
Gregorian Hoo-Ha (9’54-16’06)

SIDE B

Chime Bowl Satan (16’06-20’36)
Dark Beaty Bass (20’36-28’22)
Sk-1 Lament (28’22-30’00)

This project grew out of experiments with ways of applying my technique for live cello manipulation to other styles of electronic music - and is a document of the best moments that happened to be captured whilst messing around with different ideas.

I hope you enjoy listening to me playing with my toys

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Instruments //
Casio SK-1
Yamaha VSS-200
Yamaha PSS-50

Effects //
Line-6 DL4
Earthquaker Devices Avalanche Run
Adventure Audio Dream Reaper
Vox Distortion Booster
Yamaha MG102c (No-Input Feedback)



Dedicated to House 82

Dedicated to House 153

credits

released May 31, 2019

Performed/Produced/Designed - Harry Smith

Additional Illustration - Ruby Ward and Conor Jones

Sculpture - Harry Clinch

FA03

license

all rights reserved

tags

about

Fermata Ark London, UK

UK-based experimental Producer/Composer and Sound Designer

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Music for self-immolation, nighttime ego-abolishment, or vaguely religious shamanic practices.

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Punk-Ambient / Transcendental Noise Music and Post-Totalism


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